Part One is about understanding, hearing and applying the essential concepts of chord construction. Every chord is given with a root on the 6th, 5th and 4th strings so you will always have a convenient fingering to reach for, wherever you are on the guitar neck. Each chord is thoroughly discussed, analysed and built from first principles.
BERKLEE JAZZ GUITAR CHORD DICTIONARY PDF FOR FREE
Each book is a step-by-step guide with hundreds of musical examples you can download for free from Guitar Chords in Context is designed to give you an immediate, practical understanding of how all of the basic chord forms are constructed, played and used. Originally designed as a threepart series, these books combine to take you through the first basic concepts in chord structures and playing, right through to advanced voicings and substitutions enabling you to gain limitless creative freedom on the guitar. Introduction to the Compilation This compilation brings together three best-selling and complimentary jazz guitar chord books. 246 Chapter Seven: More Substitution Exercises. 236 Chapter Six: Voice Leading with Substitutions. 222 Chapter Five: The Tritone Substitution. 199 Chapter Three: Voicing Exercises and Practice Ideas. 189 Chapter Two: Extensions and Rootless Voicings. 173 Chapter Seventeen: Converting Chord Structures. 169 Chapter Sixteen: Drop 2 and 4 Voicings – Fifth String. 165 Chapter Fifteen: Drop 2 and 2 Voicings – Sixth String. 156 Chapter Fourteen: Drop 3 Chords –Fifth String Root. 151 Licensed to, Order FUN160202-5222-27127Ĭhapter Thirteen: Drop 3 Voicings – Sixth String Root. 149 Chapter Twelve: Drop 2 Chords -‐ Bass Strings. 139 Chapter Eleven: Extensions and Alterations. 134 Chapter Ten: Drop 2 Chords -‐ Middle Strings. 132 Chapter Nine: Altering Dominant Chords. 123 Chapter Eight: Adding Other Diatonic Extensions. 118 Chapter Seven: Adding Natural Ninths to Chords. 108 Chapter Five: Major Seventh Drop 2 Voicings. 102 Chapter Four: Minor 7b5 Drop 2 Voicings. 96 Chapter Three: Dominant 7 Drop 2 Voicings. 78 Conclusions and Introduction to Part Two. 74 Chapter Fourteen: Building Extended Chords with Diatonic Substitutions. 72 Chapter Thirteen: Major 7b5 and Major 7#5 Chords. 60 Chapter Eleven: Major and Minor 6/9 chords. 55 Chapter Ten: Major and Minor 6 Chords. 42 Chapter Eight: Applying Extended Guide Tone Voicings. 38 Chapter Seven: Rootless Guide Tone Voicings with Extensions. 31 Chapter Six: Using Rootless Guide Tone Voicings.
26 Chapter Five: Root and Guide Tone Voicings.
21 Chapter Four: Chromatic Alterations to Dominant Chords. 15 Chapter Three: Diatonic Extensions to Dominant 7 Chords. 7 Chapter Two: Basic Common Chord Voicings. 5 Chapter One: Basic Theory, Chord Types and Construction. Table of Contents Introduction to the Compilation.
Also By Joseph AlexanderĪudio recorded by Pete Sklaroff and Available From Cover Image Copyright © ShutterStock: Miguel Garcia Saaved The publisher is not responsible for websites (or their content) that are not owned by the publisher. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior permission in writing of the publisher. The Jazz Guitar Chord Compilation Published by ISBN: 978-1-91 Copyright © 2014 Joseph Alexander The moral right of this author has been asserted.
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